Kleo does not paste your words onto a fixed background. It reads what the video is about, writes the shots, and draws a picture for each one. Pirates get beaches, ships and sand. Space gets rockets and stations. Ask for a style by name, or say nothing and Kleo picks the one that fits.
Illustrations drawn for your story, full screen, one per shot. Bold outlines, warm colour, big rounded lettering with the key word picked out. The camera drifts slowly across each picture and cuts to the next one on the word that matters.
“Make me a 40 second Short about the pirate treasure nobody came back for, cartoon style.”
The same shape with a cinematic photo look: 35 mm light, real depth, condensed uppercase titles with an accent underline. It reads like a documentary trailer rather than a cartoon.
“A 35 second Short about life on the space station, realistic look.”
No pictures at all: pure motion design. Dark screen, glowing vector icons, timelines, counters and type that slams in on the beat. This is the look Kleo was born from, and it still explains a technical idea better than any photograph.
“Explain how a relay attack steals a car, cyber style, 45 seconds.”
A hand-drawn figure acts the story out, prop by prop. Deliberately plain, deliberately funny, and unmistakable in a feed full of stock footage. Vertical only, and only when you ask for it.
“Same story but stickman style.”
Cartoon and realistic videos are not slideshows. Each narrated line becomes a scene, and each scene is cut into two to four shots. Kleo writes a description for every shot, draws it, and times the cut to a word you actually hear.
The same character is described the same way in every shot, so the captain still looks like the captain three pictures later.