Choose shot sizes that explain the action

A wide view establishes a space, a closer view directs attention and a detail view makes a small action readable. Choose the framing for the information the viewer needs, not simply to vary the pictures.

Kleo production guides · English · Editorial review 2026-09-23

Planning sequence: Subject, then Framing, then Movement, then Review.

A practical method

  1. Start with enough context to identify the place.
  2. Move closer when a decision or object becomes important.
  3. Return to a wider view when the consequence changes the scene.

An example brief to adapt

Written illustration of this method; not a report of a rendered film or a customer result.

Describe three shots for a fictional clock repair: a workbench with the clock, the repairer noticing a loose component, then the clock working on the shelf. Explain what each framing reveals. Avoid a detail shot that requires an exact mechanical demonstration.

Review before moving on

  • Is the setting established?
  • Are important actions large enough to see?
  • Does a close view reveal something new?

Record a concrete observation beside each check: a line in the treatment, a source passage or a timestamp in the downloaded film. If you cannot inspect an item yet, leave it open. A request in a brief is an intention; the result is what must be reviewed.

Download this guide’s editable text worksheet

What to avoid

Constant close framing can hide spatial relationships. Review the sequence without narration to see whether the audience can understand where the action occurs.

Sources and scope

The method and fictional brief are original editorial guidance for planning and review. They do not establish a measured performance gain or guarantee a particular render. Product statements follow Kleo’s public pages, checked on 2026-09-23; official platform guidance is linked where relevant.

  • Kleo FAQ — Product capabilities and limitations; reconfirm before production.
  • Kleo pricing — Current starter offer, product conditions and quoted credit costs.

See the published Kleo examples to inspect actual showcased work. Example films may reflect a different production setup; check the current offer for your own job.

Continue your production plan

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